DAL
at Jax District

Tashafee explores the intricate layering of artworks coexisting in harmony, reflecting a serene state of mind. This realization, empowered by DAL, supported artists in integrating digital and hybrid elements into their works, including sophisticated projection systems and visual interfaces that enable physical and digital layers to harmonize. First showcased at the HEAL exhibition.

Aswat is a live audiovisual performance that encapsulates real-time visuals that interact with sound and architecture, transforming the exhibition space into a dynamic, shared audiovisual environment. First shown at Tasmeem exhibition.

Anmat is a projection-based work that explores generative geometry inspired by equestrian movement and regional pattern-making. Architectural surfaces transform into canvases for shifting motifs that reflect rhythm, speed, and orientation. First shown at the Saudi Cup.

Naseej translates the textile weaving into a dynamic, time-based digital performance. Layers of simulated fabric ripple, fold, and expand in response to motion, echoing the rhythm of human gesture. The work celebrates the region’s rich textile heritage, presenting fabric not just as an object, but as a living, responsive structure.

explores the Islamic geometric star as both structure and experience. It reinterprets geometry as a living system of order and variation, echoing the cosmological concepts embedded in traditional design. This piece invites viewers to engage with geometry beyond ornamentation, revealing its dynamic role in shaping perception. First shown at the Tasmeem Exhibition.

Tazamun studies the relationship between celestial rhythms and the human experience of prayer. This immersive installation transforms astronomical observations into dynamic fields of light, color, and refraction, creating a meditative space that invites reflection on time and orientation. First shown at the Islamic Arts Biennale.

Tashafee explores the intricate layering of artworks coexisting in harmony, reflecting a serene state of mind. This realization, empowered by DAL, supported artists in integrating digital and hybrid elements into their works, including sophisticated projection systems and visual interfaces that enable physical and digital layers to harmonize. First showcased at the HEAL exhibition.

Aswat is a live audiovisual performance that encapsulates real-time visuals that interact with sound and architecture, transforming the exhibition space into a dynamic, shared audiovisual environment. First shown at Tasmeem exhibition.

Anmat is a projection-based work that explores generative geometry inspired by equestrian movement and regional pattern-making. Architectural surfaces transform into canvases for shifting motifs that reflect rhythm, speed, and orientation. First shown at the Saudi Cup.

Naseej translates the textile weaving into a dynamic, time-based digital performance. Layers of simulated fabric ripple, fold, and expand in response to motion, echoing the rhythm of human gesture. The work celebrates the region’s rich textile heritage, presenting fabric not just as an object, but as a living, responsive structure.

explores the Islamic geometric star as both structure and experience. It reinterprets geometry as a living system of order and variation, echoing the cosmological concepts embedded in traditional design. This piece invites viewers to engage with geometry beyond ornamentation, revealing its dynamic role in shaping perception. First shown at the Tasmeem Exhibition.

Tazamun studies the relationship between celestial rhythms and the human experience of prayer. This immersive installation transforms astronomical observations into dynamic fields of light, color, and refraction, creating a meditative space that invites reflection on time and orientation. First shown at the Islamic Arts Biennale.